{"id":38090,"date":"2025-09-11T09:03:06","date_gmt":"2025-09-11T08:03:06","guid":{"rendered":"https:\/\/www.maticasrpska.org.rs\/?page_id=38090"},"modified":"2026-03-27T21:50:18","modified_gmt":"2026-03-27T20:50:18","slug":"zmssu_72","status":"publish","type":"page","link":"https:\/\/www.maticasrpska.org.rs\/en\/zmssu_72\/","title":{"rendered":"\u0417\u0431\u043e\u0440\u043d\u0438\u043a \u041c\u0430\u0442\u0438\u0446\u0435 \u0441\u0440\u043f\u0441\u043a\u0435 \u0437\u0430 \u0441\u0446\u0435\u043d\u0441\u043a\u0435 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438, \u0441\u0432\u0435\u0441\u043a\u0430 72, \u0433\u043e\u0434\u0438\u043d\u0430 2025."},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\u0421\u0410\u0414\u0420\u0416\u0410\u0408<\/td>\n <\/td>\nCONTENTS<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
\u0421\u0422\u0423\u0414\u0418\u0408\u0415, \u0427\u041b\u0410\u041d\u0426\u0418, \u0420\u0410\u0421\u041f\u0420\u0410\u0412\u0415<\/td>\n <\/td>\nSTUDIES, ARTICLES, TREATISES<\/td>\n<\/tr>\n
\n

\u0414\u0440 \u0409\u0423\u0411\u0418\u0426\u0410 \u041c. \u0420\u0418\u0421\u0422\u041e\u0412\u0421\u041a\u0418
\u0411\u0430\u043b\u0435\u0442\u0441\u043a\u043e \u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u045a\u0435 \u0438\u0437\u0432\u0430\u043d \u0431\u0430\u043b\u0435\u0442\u0441\u043a\u0438\u0445 \u0441\u0440\u0435\u0434\u0438\u0448\u0442\u0430: \u0438\u0441\u043a\u0443\u0441\u0442\u0432\u0430 \u0438 \u043f\u0435\u0440\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u0435
9<\/p>\n<\/td>\n

\"\"<\/a><\/em><\/strong><\/td>\n\n

LJUBICA M. RISTOVSKI, PhD
Ballet Education Outside Ballet Centres: Experiences and Perspectives
16<\/p>\n<\/td>\n<\/tr>\n

\n

\u0414\u0440 \u0421\u0410\u040a\u0410 \u0412. \u0420\u0410\u0414\u0418\u041d\u041e\u0412\u0418\u040b
\u0414\u0435\u043b\u043e \u041a\u043e\u0441\u0442\u0435 \u041f. \u041c\u0430\u043d\u043e\u0458\u043b\u043e\u0432\u0438\u045b\u0430 \u043d\u0430 \u201e\u0442\u0430\u043b\u0430\u0441\u0438\u043c\u0430 \u0441\u0435\u045b\u0430\u045a\u0430\u201c

17<\/p>\n<\/td>\n

\"\"<\/a><\/em><\/strong><\/td>\n\n

SANJA V. RADINOVI\u0106, PhD
The Oeuvre of Kosta P. Manojlovi\u0107 on the \u201cWaves of Memory\u201d
38<\/p>\n<\/td>\n<\/tr>\n

\n

\u0414\u0440 \u041b\u0423\u041a\u0410 \u0421. \u041a\u0415\u0426\u041c\u0410\u041d
\u0414\u0440\u0430\u043c\u0435 \u0418\u0432\u0430\u043d\u0430 \u041d\u0435\u0433\u0440\u0438\u0448\u043e\u0440\u0446\u0430
41<\/p>\n<\/td>\n

\"\"<\/a><\/em><\/strong><\/td>\n\n

LUKA S. KECMAN, PhD
Plays by Ivan Negri\u0161orac
51<\/p>\n<\/td>\n<\/tr>\n

\n

\u0414\u0440 \u041c\u0418\u0409\u0410\u041d \u041c. \u0412\u041e\u0408\u041d\u041e\u0412\u0418\u040b
\u0423\u043f\u0440\u0430\u0432\u0459\u0430\u045a\u0435 \u043a\u043e\u043b\u0435\u043a\u0442\u0438\u0432\u043d\u0438\u043c \u043a\u0440\u0435\u0430\u0442\u0438\u0432\u043d\u0438\u043c \u043f\u0440\u043e\u0446\u0435\u0441\u043e\u043c \u043d\u0430 \u0444\u0438\u043b\u043c\u0443 \u2013 \u043a\u0440\u0438\u0442\u0438\u0447\u043a\u0438 \u043f\u0440\u0438\u043a\u0430\u0437 \u0434\u043e\u0431\u0440\u0438\u0445 \u043f\u0440\u0430\u043a\u0441\u0438
53<\/p>\n<\/td>\n

\"\"<\/a><\/em><\/strong><\/td>\n\n

MILJAN M. VOJNOVI\u0106, PhD
The Collective Creative Process Management in Film Industry \u2013 A Critical Overview of the Best Practices
68<\/span>
<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

\u041c\u0441\u0440 \u0422\u0410\u0422\u0408\u0410\u041d\u0410 \u0414. \u041c\u0420\u0402\u0410
\u0418\u0437 \u0440\u0443\u043a\u043e\u043f\u0438\u0441\u043d\u0435 \u0437\u0430\u043e\u0441\u0442\u0430\u0432\u0448\u0442\u0438\u043d\u0435 \u041a\u0430\u0440\u0435\u043b\u0430 \u041d\u0430\u043f\u0440\u0430\u0432\u045a\u0438\u043a\u0430 \u2013 \u041c\u0443\u0437\u0438\u0447\u043a\u0438 \u0434\u0438\u043a\u0442\u0430\u0442
69<\/p>\n<\/td>\n

\"\"<\/a><\/em><\/strong><\/td>\n\n

TATJANA D. MR\u0110A, MA
From the Manuscript of Karel Napravnik: Musical Dictation
95<\/p>\n<\/td>\n<\/tr>\n

\n

\u0414\u0440 \u0413\u041e\u0420\u0410\u041d \u0422. \u0413\u0410\u0412\u0420\u0418\u040b
\u041f\u043e\u0437\u043e\u0440\u0438\u0448\u0442\u0435 \u0438 \u0444\u0438\u043b\u043c \u2013 \u043b\u0438\u043d\u0438\u0458\u0435 \u0441\u0443\u0441\u0440\u0435\u0442\u0430\u045a\u0430 \u0438 \u0440\u0430\u0437\u0434\u0432\u0430\u0458\u0430\u045a\u0430

97<\/p>\n<\/td>\n

\"\"<\/a><\/em><\/strong><\/td>\n\n

GORAN T. GAVRI\u0106, PhD
Theatre and Film \u2013 Lines of Convergence and Divergence
109<\/span>
<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

\u0414\u0440 \u0410\u041d\u0410 \u041a. \u041c\u0418\u041b\u041e\u0412\u0410\u041d\u041e\u0412\u0418\u040b
\u0413\u043b\u0443\u043c\u0430\u0447\u043a\u0438 \u043e\u0436\u0438\u0432\u0459\u0435\u043d\u0430 \u043b\u0443\u0442\u043a\u0430 \u0443 \u043f\u0440\u043e\u0433\u0440\u0430\u043c\u0438\u043c\u0430 \u043d\u0430\u043c\u0435\u045a\u0435\u043d\u0438\u043c \u0434\u0435\u0446\u0438 \u0422\u0435\u043b\u0435\u0432\u0438\u0437\u0438\u0458\u0435 \u0411\u0435\u043e\u0433\u0440\u0430\u0434 (1958\u20131990)
111<\/p>\n<\/td>\n

\"\"<\/a><\/em><\/strong><\/td>\n\n

ANA K. MILOVANOVI\u0106, PhD
The Actor-Animated Puppet in Television Belgrade\u02bcs Children\u02bcs Programmes (1958\u20131990)
125<\/span>
<\/span><\/p>\n<\/td>\n<\/tr>\n

 <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
\u0421\u0415\u040b\u0410\u040a\u0410, \u0413\u0420\u0410\u0402\u0410, \u041f\u0420\u0418\u041b\u041e\u0417\u0418<\/td>\n <\/strong><\/td>\nMEMOIRS, MATERIALS, CONTRIBUTIONS<\/td>\n<\/tr>\n
\n

\u0414\u0440 \u041c\u0418\u041b\u041e\u0428 \u041c. \u041c\u0410\u0420\u0418\u041d\u041a\u041e\u0412\u0418\u040b
\u041e \u0430\u043a\u0442\u0438\u0432\u043d\u043e\u0441\u0442\u0438\u043c\u0430 \u0438 \u0437\u0430\u043e\u0441\u0442\u0430\u0432\u0448\u0442\u0438\u043d\u0438 \u0410\u043a\u0430\u0434\u0435\u043c\u0441\u043a\u043e\u0433 \u043a\u0430\u043c\u0435\u0440\u043d\u043e\u0433 \u043e\u0440\u043a\u0435\u0441\u0442\u0440\u0430 \/ \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0441\u043a\u043e\u0433 \u0433\u0443\u0434\u0430\u0447\u043a\u043e\u0433 \u043e\u0440\u043a\u0435\u0441\u0442\u0440\u0430 \u201e\u0414\u0443\u0448\u0430\u043d \u0421\u043a\u043e\u0432\u0440\u0430\u043d\u201c
127<\/p>\n<\/td>\n

\"\"<\/a><\/em><\/strong><\/td>\n\n

MILO\u0160 M. MARINKOVI\u0106, PhD
On the Activities and Legacy of the Academic Chamber Orchestra \/ Belgrade String Orchestra \u201cDu\u0161an Skovran\u201d

145<\/span>
<\/span><\/p>\n<\/td>\n<\/tr>\n

 <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
IN MEMORIAM<\/td>\n<\/tr>\n
\u0414\u0440 \u0409\u0423\u0411\u0418\u0426\u0410 M. \u0420\u0418\u0421\u0422\u041e\u0412\u0421\u041a\u0418
\u041a\u0430\u0442\u0430\u043b\u0438\u043d \u041a\u0430\u0438\u0447 (1943\u20132024)
147

\"\"<\/a><\/em><\/strong><\/td>\n<\/tr>\n
\u041c\u0440 \u0418\u0412\u0410\u041d\u0410 \u0411. \u0418\u041b\u0418\u040b \u041a\u0418\u0428
\u0414\u043e\u0431\u0440\u0438\u043b\u0430 \u041d\u043e\u0432\u043a\u043e\u0432 (1947\u20132025)
151

\"\"<\/a><\/em><\/strong><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
\u041f\u0420\u0418\u041a\u0410\u0417\u0418<\/td>\n <\/strong><\/td>\nREVIEWS<\/td>\n<\/tr>\n
\u0414\u0440 \u0412\u0415\u0420\u0410 \u0421. \u041e\u0411\u0420\u0410\u0414\u041e\u0412\u0418\u040b \u0409\u0423\u0411\u0418\u041d\u041a\u041e\u0412\u0418\u040b
\u201e\u041d\u0435\u0436\u043d\u0435 \u043f\u0440\u043e\u043c\u0435\u043d\u0435\u201c \u0443 \u0411\u0430\u043b\u0435\u0442\u0443 \u0421\u0440\u043f\u0441\u043a\u043e\u0433 \u043d\u0430\u0440\u043e\u0434\u043d\u043e\u0433 \u043f\u043e\u0437\u043e\u0440\u0438\u0448\u0442\u0430 \u0443 \u041d\u043e\u0432\u043e\u043c \u0421\u0430\u0434\u0443: \u041f\u0440\u0438\u0447\u0430\u0458 \u043c\u0438 \u043e \u0459\u0443\u0431\u0430\u0432\u0438, \u043f\u0440\u0432\u0430 \u043f\u0440\u0435\u043c\u0438\u0458\u0435\u0440\u0430 \u0443 \u0441\u0435\u0437\u043e\u043d\u0438 2024\/2025
155

\"\"<\/a><\/em><\/strong><\/td>\n<\/tr>\n
M\u0441\u0440 \u0412\u0418\u041e\u041b\u0415\u0422\u0410 \u0420. \u041c\u0418\u0422\u0420\u041e\u0412\u0418\u040b
\u041e\u0442\u043a\u0440\u0438\u0432\u0430\u043b\u0430\u0447\u043a\u0438 \u0434\u0443\u0445 \u0441\u0440\u043f\u0441\u043a\u0435 \u0442\u0435\u0430\u0442\u0440\u043e\u043b\u043e\u0433\u0438\u0458\u0435 (\u041c\u0438\u043b\u0435\u043d\u0430 \u041a\u0443\u043b\u0438\u045b, \u041f\u043e\u0437\u043e\u0440\u0438\u0448\u043d\u0435 \u043f\u0440\u0438\u0447\u0435: \u043e\u0434 \u0441\u0440\u0435\u0434\u045a\u0435\u0433 \u0432\u0435\u043a\u0430 \u0434\u043e \u0434\u0443\u0431\u0440\u043e\u0432\u0430\u0447\u043a\u0435 \u0434\u0440\u0430\u043c\u0435, \u041d\u043e\u0432\u043e \u041c\u0438\u043b\u043e\u0448\u0435\u0432\u043e: \u0411\u0430\u043d\u0430\u0442\u0441\u043a\u0438 \u043a\u0443\u043b\u0442\u0443\u0440\u043d\u0438 \u0446\u0435\u043d\u0442\u0430\u0440, 2023)
159

\"\"<\/a><\/em><\/strong><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
\u0418\u041c\u0415\u041d\u0421\u041a\u0418 \u0420\u0415\u0413\u0418\u0421\u0422\u0410\u0420<\/td>\n\"\"<\/a><\/em><\/strong><\/td>\nREGISTER OF NAME<\/td>\n<\/tr>\n
163<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
\u0423\u041f\u0423\u0422\u0421\u0422\u0412\u041e \u0417\u0410 \u0410\u0423\u0422\u041e\u0420\u0415<\/td>\n\"\"<\/a><\/em><\/strong><\/td>\nINSTRUCTIONS FOR AUTHORS<\/td>\n<\/tr>\n
171<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
\u0420\u0415\u0426\u0415\u041d\u0417\u0415\u041d\u0422\u0418<\/td>\n\"\"<\/a><\/em><\/strong><\/td>\nREVIEWERS<\/td>\n<\/tr>\n
177<\/td>\n
 <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
\u0418\u041c\u041f\u0420\u0415\u0421\u0423\u041c<\/td>\n\"\"<\/a><\/em><\/strong><\/td>\nIMPRESUM<\/td>\n<\/tr>\n
177<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
\u0426\u0415\u041b\u041e \u0418\u0417\u0414\u0410\u040a\u0415<\/td>\n\"\"<\/a><\/em><\/strong><\/td>\nFULL EDDITION<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

\u0421\u0410\u0414\u0420\u0416\u0410\u0408   CONTENTS       \u0421\u0422\u0423\u0414\u0418\u0408\u0415, \u0427\u041b\u0410\u041d\u0426\u0418, \u0420\u0410\u0421\u041f\u0420\u0410\u0412\u0415   STUDIES, ARTICLES, TREATISES \u0414\u0440 \u0409\u0423\u0411\u0418\u0426\u0410 \u041c. \u0420\u0418\u0421\u0422\u041e\u0412\u0421\u041a\u0418\u0411\u0430\u043b\u0435\u0442\u0441\u043a\u043e \u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u045a\u0435 \u0438\u0437\u0432\u0430\u043d \u0431\u0430\u043b\u0435\u0442\u0441\u043a\u0438\u0445 \u0441\u0440\u0435\u0434\u0438\u0448\u0442\u0430: \u0438\u0441\u043a\u0443\u0441\u0442\u0432\u0430 \u0438 \u043f\u0435\u0440\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u04359 LJUBICA M. RISTOVSKI, PhDBallet Education Outside Ballet Centres: Experiences and Perspectives16 \u0414\u0440 \u0421\u0410\u040a\u0410 \u0412. \u0420\u0410\u0414\u0418\u041d\u041e\u0412\u0418\u040b\u0414\u0435\u043b\u043e \u041a\u043e\u0441\u0442\u0435 \u041f. \u041c\u0430\u043d\u043e\u0458\u043b\u043e\u0432\u0438\u045b\u0430 \u043d\u0430 \u201e\u0442\u0430\u043b\u0430\u0441\u0438\u043c\u0430 \u0441\u0435\u045b\u0430\u045a\u0430\u201c 17 SANJA V. RADINOVI\u0106, PhDThe Oeuvre of Kosta P. Manojlovi\u0107… Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n\n\n\n\n\n\n\n\n\n\n\n\t\n