{"id":38991,"date":"2026-01-19T11:34:58","date_gmt":"2026-01-19T10:34:58","guid":{"rendered":"https:\/\/www.maticasrpska.org.rs\/?page_id=38991"},"modified":"2026-01-20T11:48:42","modified_gmt":"2026-01-20T10:48:42","slug":"zmslu_53","status":"publish","type":"page","link":"https:\/\/www.maticasrpska.org.rs\/en\/zmslu_53\/","title":{"rendered":"\u0417\u0431\u043e\u0440\u043d\u0438\u043a \u041c\u0430\u0442\u0438\u0446\u0435 \u0441\u0440\u043f\u0441\u043a\u0435 \u0437\u0430 \u043b\u0438\u043a\u043e\u0432\u043d\u0435 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438 \u0431\u0440\u043e\u0458 53"},"content":{"rendered":"

<\/p>\n

<\/p>\n

\u0421 \u0410 \u0414 \u0420 \u0416 \u0410 \u0408 :<\/h3>\n

\u0427\u041b\u0410\u041d\u0426\u0418, \u0420\u0410\u0421\u041f\u0420\u0410\u0412\u0415, \u041f\u0420\u0418\u041b\u041e\u0417\u0418
\nARTICLES, TREATISES, CONTRIBUTIONS<\/strong><\/p>\n

    \n
  1. NEBOJ\u0160A M. DABI\u0106 Theme of Concelebrating Archbishops in the Wall Painting of the Altar Space of Serbian Churches of the 13th Century
    \n\u041d\u0415\u0411\u041e\u0408\u0428\u0410 \u041c. \u0414\u0410\u0411\u0418\u040b, \u0422\u0435\u043c\u0430 \u0441\u0430\u0441\u043b\u0443\u0436\u0443\u0458\u0443\u045b\u0438\u0445 \u0430\u0440\u0445\u0438\u0458\u0435\u0440\u0435\u0458\u0430 \u0443 \u0437\u0438\u0434\u043d\u043e\u043c \u0441\u043b\u0438\u043a\u0430\u0440\u0441\u0442\u0432\u0443 \u043e\u043b\u0442\u0430\u0440\u0441\u043a\u043e\u0433 \u043f\u0440\u043e\u0441\u0442\u043e\u0440\u0430 \u0441\u0440\u043f\u0441\u043a\u0438\u0445 \u0446\u0440\u043a\u0430\u0432\u0430 XIII \u0432\u0435\u043a\u0430 \"\"<\/a>
    \n<\/em><\/strong>    https:\/\/orcid.org\/0009-0005-1497-9840<\/a>
    \n    https:\/\/doi.org\/10.18485\/ms_zmslu.2025.53.1<\/a><\/li>\n
  2. \u0412\u0415\u0409\u041a\u041e \u0416. \u0413\u041e\u0413\u0410\u041d\u041e\u0412\u0418\u040b, \u0426\u0438\u043a\u043b\u0443\u0441 \u0411\u043e\u0433\u043e\u0440\u043e\u0434\u0438\u0447\u0438\u043d\u043e\u0433 \u0430\u043a\u0430\u0442\u0438\u0441\u0442\u0430 \u0443 \u043f\u0440\u0438\u043f\u0440\u0430\u0442\u0438 \u043c\u0430\u043d\u0430\u0441\u0442\u0438\u0440\u0430 \u041d\u043e\u0432\u043e \u0425\u043e\u043f\u043e\u0432\u043e \u0438 \u045a\u0435\u0433\u043e\u0432\u043e \u0438\u043a\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u043e \u043f\u043e\u0440\u0435\u043a\u043b\u043e
    \n<\/span>VELJKO \u017d. GOGANOVI\u0106, The Akathist Cycle Dedicated to the Holy Virgin in the Vestibule of the Novo Hopovo Monastery and Its Iconographic Origin     \"\"<\/a><\/em><\/strong>
    \n    https:\/\/orcid.org\/0009-0001-3661-451X<\/a>
    \n    https:\/\/doi.org\/10.18485\/ms_zmslu.2025.53.2<\/a><\/li>\n
  3. \u0420\u0415\u0410 \u0420. \u0422\u0415\u0420\u0417\u0418\u041d, \u0418\u043a\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u043e-\u0441\u0442\u0438\u043b\u0441\u043a\u0430 \u0430\u043d\u0430\u043b\u0438\u0437\u0430 \u0408\u0435\u0440\u0443\u0441\u0430\u043b\u0438\u043c\u0430 \u0438\u0437 \u0440\u0438\u0437\u043d\u0438\u0446\u0435 \u0441\u0440\u043f\u0441\u043a\u0435 \u043f\u0440\u0430\u0432\u043e\u0441\u043b\u0430\u0432\u043d\u0435 \u0446\u0440\u043a\u0432\u0435 \u0443 \u0427\u0430\u043a\u043e\u0432\u0443
    \n<\/span>REA R. TERZIN Iconographic and Stylistic Analysis of Jerusalem from the Serbian Orthodox Church Treasury in \u010cakovo     \"\"<\/a><\/em><\/strong>
    \n    https:\/\/orcid.org\/0009-0008-7169-3461<\/a>
    \n    https:\/\/doi.org\/10.18485\/ms_zmslu.2025.53.3<\/a><\/li>\n
  4. VLADIMIR STOJANOVI\u0106, DRAGAN DAMJANOVI\u0106, DAMIR DEMONJA, Radovi zagreba\u010dke radionice vitraja Ivana Marinkovi\u0107a u \u017eupnoj crkvi Svetog Josipa u selu Deronje
    \n<\/span>VLADIMIR STOJANOVI\u0106, DRAGAN DAMJANOVI\u0106, DAMIR DEMONJA, Works of Ivan Marinkovi\u0107\u2019s Zagreb Stained-Glass Workshop in the Parish Church of Saint Josip in Deronje Village     \"\"<\/a><\/em><\/strong>
    \n    https:\/\/orcid.org\/0000-0001-6792-2841<\/a>
    \n    https:\/\/orcid.org\/0000-0003-2589-8075<\/a>
    \n    https:\/\/orcid.org\/0000-0002-4186-5137<\/a><\/p>\n

    https:\/\/doi.org\/10.18485\/ms_zmslu.2025.53.4<\/a><\/li>\n

  5. \u041c\u0410\u0428\u0410 \u0412. \u041e\u0411\u0420\u0410\u0414\u041e\u0412\u0418\u040b, \u041f\u043e\u0442\u0440\u0430\u0433\u0430 \u0437\u0430 \u043d\u0435\u0434\u043e\u0441\u0442\u0430\u0458\u0443\u045b\u043e\u043c \u043a\u0430\u0440\u0438\u043a\u043e\u043c \u0443 \u043b\u0430\u043d\u0446\u0443 \u0435\u0432\u043e\u043b\u0443\u0446\u0438\u0458\u0435 \u0443 \u0434\u0435\u043b\u0443 \u0422\u0440\u0438\u0442\u043e\u043d \u0438 \u041d\u0435\u0440\u0435\u0438\u0434\u0430 \u0410\u0440\u043d\u043e\u043b\u0434\u0430 \u0411\u0435\u043a\u043b\u0438\u043d\u0430
    \n<\/span>MA\u0160A V. OBRADOVI\u0106, The Search for the Missing Link in the Chain of Evolution in Arnold B\u00f6cklin\u2019s Work Triton and Nereid     \"\"<\/a><\/em><\/strong>
    \n    https:\/\/orcid.org\/0009-0003-2778-0385<\/a>
    \n    https:\/\/doi.org\/10.18485\/ms_zmslu.2025.53.5<\/a><\/li>\n
  6. \u041c\u0418\u041d\u0410 \u0413. \u0420\u0410\u0414\u041e\u0412\u0410\u041d\u041e\u0412\u0418\u040b, \u041c\u0438\u0442 \u043e \u0410\u043d\u0434\u0440\u043e\u043c\u0435\u0434\u0438 \u043e\u0434 \u0430\u043d\u0442\u0438\u043a\u0435 \u0434\u043e fin de si\u00e8cle-a: \u041f\u0435\u0440\u0441\u0435\u0458 \u0438 \u0410\u043d\u0434\u0440\u043e\u043c\u0435\u0434\u0430 \u0424\u0440\u0435\u0434\u0435\u0440\u0438\u043a\u0430 \u041b\u0435\u0458\u0442\u043e\u043d\u0430 \u0438 \u045a\u0435\u043d\u0438 \u043a\u043b\u0430\u0441\u0438\u0447\u043d\u0438 \u0443\u0437\u043e\u0440\u0438
    \n<\/span>MINA G. RADOVANOVI\u0106, Myth of Andromeda from Antiquity to Fin de Si\u00e8cle: Perseus and Andromeda by Frederic Leighton and Its Classical Sources     \"\"<\/a><\/em><\/strong>
    \n    https:\/\/orcid.org\/0009-0004-3969-959X<\/a>
    \n    https:\/\/doi.org\/10.18485\/ms_zmslu.2025.53.6<\/a><\/li>\n
  7. \u041e\u041b\u0413\u0410 \u0414. \u0416\u0410\u041a\u0418\u040b, \u0413\u0435\u043e\u043b\u043e\u0448\u043a\u0430 \u0438\u0441\u043f\u0438\u0442\u0438\u0432\u0430\u045a\u0430 \u0438 \u043c\u043e\u043d\u0438\u0441\u0442\u0438\u0447\u043a\u043e \u0458\u0435\u0434\u0438\u043d\u0441\u0442\u0432\u043e \u0443 \u0441\u0442\u0432\u0430\u0440\u0430\u043b\u0430\u0448\u0442\u0432\u0443 \u041a\u043b\u043e\u0434\u0430 \u041c\u043e\u043d\u0435\u0430
    \n<\/span>OLGA D. \u017dAKI\u0106, Geological Analysis and Monistic Unity in the Work of Claude Monet     \"\"<\/a><\/em><\/strong>
    \n    https:\/\/orcid.org\/0000-0003-0536-8536<\/a>
    \n    https:\/\/doi.org\/10.18485\/ms_zmslu.2025.53.7<\/a><\/li>\n
  8. JOVANA M. NIKOLI\u0106, Summer in \u00c5sg\u00e5rdstrand – Edvard Munch’s Symbolistic Landscapes
    \n<\/span>\u0408\u041e\u0412\u0410\u041d\u0410 \u041c. \u041d\u0418\u041a\u041e\u041b\u0418\u040b, \u041b\u0435\u0442\u043e \u0443 \u041e\u0437\u0433\u043e\u0440\u0448\u0442\u0430\u0440\u043d\u0443 – \u0441\u0438\u043c\u0431\u043e\u043b\u0438\u0441\u0442\u0438\u0447\u043a\u0438 \u043f\u0435\u0458\u0437\u0430\u0436\u0438 \u0415\u0434\u0432\u0430\u0440\u0434\u0430 \u041c\u0443\u043d\u043a\u0430     \"\"<\/a><\/em><\/strong>
    \n    https:\/\/orcid.org\/0000-0003-4203-4017<\/a>
    \n    https:\/\/doi.org\/10.18485\/ms_zmslu.2025.53.8<\/a><\/li>\n
  9. \u0421\u041e\u040a\u0410 \u0420. \u0408\u0410\u041d\u041a\u041e\u0412, \u041f\u043e\u0441\u0442\u0458\u0443\u0433\u043e\u0441\u043b\u043e\u0432\u0435\u043d\u0441\u043a\u0438 \u043b\u0438\u043a\u043e\u0432\u043d\u0438 \u0443\u043c\u0435\u0442\u043d\u0438\u0447\u043a\u0438 \u043f\u0440\u0438\u0441\u0442\u0443\u043f\u0438 \u0430\u0443\u0442\u043e\u043c\u043e\u0431\u0438\u043b\u0443 \u0408\u0443\u0433\u043e: \u0444\u043e\u043a\u0443\u0441 \u043d\u0430 \u0441\u043a\u0443\u043b\u043f\u0442\u0443\u0440\u0443 \u0438 \u0438\u043d\u0441\u0442\u0430\u043b\u0430\u0446\u0438\u0458\u0443
    \n<\/span>SONJA R. JANKOV, The Yugo Automobile and Its Application in the Practices of Post-Yugoslav Artists Rado\u0161 Antonijevi\u0107, Igor Anti\u0107, and Ivan Fijoli\u0107     \"\"<\/a><\/em><\/strong>
    \n    https:\/\/orcid.org\/0000-0003-3420-6130<\/a>
    \n    https:\/\/doi.org\/10.18485\/ms_zmslu.2025.53.9<\/a><\/li>\n
  10. VESNA L. KRULJAC, Lazar Vozarevi\u0107: \u201cIconisation\u201d of the Modern Painting
    \n<\/span>\u0412\u0415\u0421\u041d\u0410 \u041b. \u041a\u0420\u0423\u0409\u0410\u0426, \u041b\u0430\u0437\u0430\u0440 \u0412\u043e\u0437\u0430\u0440\u0435\u0432\u0438\u045b, \u201e\u0418\u043a\u043e\u043d\u0438\u0437\u0430\u0446\u0438\u0458\u0430\u201c \u043c\u043e\u0434\u0435\u0440\u043d\u0435 \u0441\u043b\u0438\u043a\u0435     \"\"<\/a><\/em><\/strong>
    \n    https:\/\/orcid.org\/0000-0003-2863-4382<\/a>
    \n    https:\/\/doi.org\/10.18485\/ms_zmslu.2025.53.10<\/a><\/li>\n<\/ol>\n

    \u041f\u0420\u0418\u041a\u0410\u0417\u0418
    \nREVIEWS<\/strong><\/p>\n

      \n
    1. \u0421\u041d\u0415\u0416\u0410\u041d\u0410 \u0412. \u041c\u0418\u0428\u0418\u040b, \u0418\u0437\u043b\u043e\u0436\u0431\u0430 \u041f\u043b\u0435\u043c\u0441\u0442\u0432\u043e \u0443 \u0441\u0440\u043f\u0441\u043a\u043e\u0458 \u0432\u0438\u0437\u0443\u0435\u043b\u043d\u043e\u0458 \u043a\u0443\u043b\u0442\u0443\u0440\u0438 XVIII \u0432\u0435\u043a\u0430, \u0413\u0430\u043b\u0435\u0440\u0438\u0458\u0430 \u041c\u0430\u0442\u0438\u0446\u0435 \u0441\u0440\u043f\u0441\u043a\u0435, \u041d\u043e\u0432\u0438 \u0421\u0430\u0434, 14. \u0444\u0435\u0431\u0440\u0443\u0430\u0440 \u2013 1. \u0458\u0443\u043d 2025. \u0433\u043e\u0434\u0438\u043d\u0435 \"\"<\/a><\/em><\/strong>
      \n      https:\/\/orcid.org\/0000-0003-1863-555X<\/a><\/li>\n
    2. \u0411\u0420\u0410\u041d\u041a\u0410 \u041c. \u0413\u0423\u0413\u041e\u0409, \u0414\u043e\u043d\u043a\u0430 \u0421\u0442\u0430\u043d\u0447\u0438\u045b, \u0417\u043e\u0440\u0430\u043d \u0420\u0430\u043a\u0438\u045b, \u0418\u0432\u0430\u043d\u0430 \u0416\u0435\u043d\u0430\u0440\u0458\u0443 \u0420\u0430\u0458\u043e\u0432\u0438\u045b, \u0426\u0440\u043a\u0432\u0435 \u0421\u0438\u0440\u0438\u043d\u0438\u045b\u043a\u0435 \u0438 \u0421\u0440\u0435\u0434\u0430\u0447\u043a\u0435 \u0436\u0443\u043f\u0435, \u041d\u043e\u0432\u0438 \u0421\u0430\u0434: \u041c\u0430\u0442\u0438\u0446\u0430 \u0441\u0440\u043f\u0441\u043a\u0430, 2024. \"\"<\/a><\/em><\/strong>
      \n      https:\/\/orcid.org\/0000-0002-3521-3407<\/a><\/li>\n
    3. \u041d\u0415\u0412\u0415\u041d\u0410 \u0412. \u0411\u041e\u0413\u041e\u0408\u0415\u0412\u0418\u040b, \u0412\u0443\u043a \u0414\u0430\u0443\u0442\u043e\u0432\u0438\u045b, \u0418\u0433\u043e\u0440 \u0411\u043e\u0440\u043e\u0437\u0430\u043d, \u0411\u0443\u0434\u0438\u043c\u0438\u0440 \u041a\u043e\u043a\u043e\u0442\u043e\u0432\u0438\u045b, \u0420\u0438\u0437\u043d\u0438\u0446\u0430 \u0421\u0430\u0431\u043e\u0440\u043d\u0435 \u0446\u0440\u043a\u0432\u0435 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443, \u041c\u0443\u0437\u0435\u0458 \u0421\u0440\u043f\u0441\u043a\u0435 \u043f\u0440\u0430\u0432\u043e\u0441\u043b\u0430\u0432\u043d\u0435 \u0446\u0440\u043a\u0432\u0435 \u2013 \u0421\u0430\u0431\u043e\u0440\u043d\u0430 \u0446\u0440\u043a\u0432\u0430 \u2013 \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0437\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u0458\u0443 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438 \u0424\u0438\u043b\u043e\u0437\u043e\u0444\u0441\u043a\u043e\u0433 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442\u0430 \u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442\u0430 \u0443 \u0411\u0435\u043e\u0433\u0440\u0430\u0434\u0443, \u0411\u0435\u043e\u0433\u0440\u0430\u0434 2023. \"\"<\/a><\/em><\/strong>
      \n      https:\/\/orcid.org\/0000-0002-0283-1487<\/a><\/li>\n
    4. \u0410\u041b\u0415\u041a\u0421\u0410 \u0421. \u0426\u0418\u0413\u0410\u041d\u041e\u0412\u0418\u040b: \u041c\u0430\u0440\u043a\u043e \u0421\u0442\u043e\u0458\u0430\u043d\u043e\u0432\u0438\u045b \u0438 \u0434\u0440 \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440 \u0421\u0442\u0435\u0432\u0430\u043d\u043e\u0432\u0438\u045b: \u0426\u0440\u0442\u0435\u0436\u0438 \u0438 \u0441\u043a\u0438\u0446\u0435 \u0443 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0438, HERAedu, \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2024. \"\"<\/a><\/em><\/strong>
      \n      https:\/\/orcid.org\/0000-0002-0173-5602<\/a><\/li>\n
    5. \u0410\u041d\u0410 \u0412. \u0424\u0418\u041b\u0418\u041f\u041e\u0412\u0418\u040b, \u0410\u043d\u0430 \u0415\u0440\u0435\u0448, \u0412\u0430\u0441\u0430 \u041f\u043e\u043c\u043e\u0440\u0438\u0448\u0430\u0446. \u0421\u043b\u0438\u043a\u0430\u0440 \u043c\u043e\u0434\u0435\u0440\u043d\u043e\u0441\u0442\u0438 \u0438 \u043a\u043e\u043d\u0442\u0438\u043d\u0443\u0438\u0442\u0435\u0442\u0430, \u0413\u0430\u043b\u0435\u0440\u0438\u0458\u0430 \u041c\u0430\u0442\u0438\u0446\u0435 \u0441\u0440\u043f\u0441\u043a\u0435, \u041d\u043e\u0432\u0438 \u0421\u0430\u0434 2024. \"\"<\/a><\/em><\/strong>
      \n      https:\/\/orcid.org\/0009-0002-8746-2285<\/a><\/li>\n<\/ol>\n

      \u0418\u041c\u0415\u041d\u0421\u041a\u0418 \u0420\u0415\u0413\u0418\u0421\u0422\u0410\u0420<\/strong>, \"\"<\/a><\/em>
      \n \u0413\u0415\u041e\u0413\u0420\u0410\u0424\u0421\u041a\u0418 \u0420\u0415\u0413\u0418\u0421\u0422\u0410\u0420<\/strong>,       \"\"<\/a><\/em>
      \n\u0421\u041f\u0418\u0421\u0410\u041a \u0420\u0415\u0426\u0415\u041d\u0417\u0415\u041d\u0410\u0422\u0410<\/strong>,       \"\"<\/a><\/em>
      \n \u0418\u041c\u041f\u0420\u0415\u0421\u0423\u041c<\/strong>,       \"\"<\/a><\/em><\/p>\n

      <\/p>","protected":false},"excerpt":{"rendered":"

      \u0421 \u0410 \u0414 \u0420 \u0416 \u0410 \u0408 : \u0427\u041b\u0410\u041d\u0426\u0418, \u0420\u0410\u0421\u041f\u0420\u0410\u0412\u0415, \u041f\u0420\u0418\u041b\u041e\u0417\u0418 ARTICLES, TREATISES, CONTRIBUTIONS NEBOJ\u0160A M. DABI\u0106 Theme of Concelebrating Archbishops in the Wall Painting of the Altar Space of Serbian Churches of the 13th Century \u041d\u0415\u0411\u041e\u0408\u0428\u0410 \u041c. \u0414\u0410\u0411\u0418\u040b, \u0422\u0435\u043c\u0430 \u0441\u0430\u0441\u043b\u0443\u0436\u0443\u0458\u0443\u045b\u0438\u0445 \u0430\u0440\u0445\u0438\u0458\u0435\u0440\u0435\u0458\u0430 \u0443 \u0437\u0438\u0434\u043d\u043e\u043c \u0441\u043b\u0438\u043a\u0430\u0440\u0441\u0442\u0432\u0443 \u043e\u043b\u0442\u0430\u0440\u0441\u043a\u043e\u0433 \u043f\u0440\u043e\u0441\u0442\u043e\u0440\u0430 \u0441\u0440\u043f\u0441\u043a\u0438\u0445 \u0446\u0440\u043a\u0430\u0432\u0430 XIII \u0432\u0435\u043a\u0430 https:\/\/orcid.org\/0009-0005-1497-9840 https:\/\/doi.org\/10.18485\/ms_zmslu.2025.53.1 \u0412\u0415\u0409\u041a\u041e \u0416.… Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n\n\n\n\n\n\n\n\n\n\n\n\t\n